Scorpio's Child

Scorpios get a lot of bad press. They're vindictive, mean, and obsessed with sex. That's not really fair. Scorpio rules the house of sharing. They are the stewards of sharing money, resources, love, and yes sharing each other's bodies. It is their deepest most spiritual need to be completely connected, loved, and sharing from the depth of their soul. It's from this place that they are so easily hurt. Wounded Scorpios are a force to be reckoned with and yes, they're famously ruthless and cruel. How do you keep your own Scorpio child from becoming obsessive and mean?

Love them. Yes, all children need to be loved, but Scorpio children need to be loved at such a deep personal connected level. The worse thing you can do to a Scorpio child is to ignore them. They feel emotionally abandoned and never really learn to trust anyone again. You absolutely must make sure that your Scorpio child knows that you love them. Touch them with purpose. They need parents that are fully present paying attention to them. They are high maintenance children until they are convinced that they are loved unconditionally, then they become extremely self-reliant. They need to hear you tell them that you recognize them as the incredible souls that they are. They need to be taken seriously. Don't laugh off the dreams of a Scorpio child. You will crush their spirits and once they're crushed, they're cursed. Hug them with strength. Love them with your entire being. Really listen to them when they talk to you. They are incredibly wise old souls from the day they are born. They probably know you better then you know yourself. Acknowledge them and their incredible minds.

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Reading Poker Hands

Reading Poker hands will dramatically increase your win percentages, but learning this skill is not an easy task. It takes hours of play, a good memory and an attentive eye.

Reading poker hands is not the most important part of any poker armoury, and it's not very useful for low stakes poker rooms either. Players at this level are not very skilled making them unpredictable and harder to read.

But as you become more experienced and start to move up to higher stakes games you'll begin to find that your opponents will actually be reading your play. And if you don't learn to read their hands you'll be at a big disadvantage.

This skill can only be developed through experience but by following these tips you should be able to accelerate your learning.

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Solving The Murder at a Murder Mystery Party

If you are invited to a murder mystery party you have the chance to act out the role of your favourite detective - whether it's Miss Marple, Sherlock Holmes or Inspector Morse.

While many murder mystery parties have a role specifically for the detective, everyone can join in the hunt for the murderer. Sometimes the games are written so that even the murderer doesn't know that they have committed the crime - so they can join in the fun as well.

So while these tips are particularly useful for anyone taking on the role of the detective, they will also help anyone else trying to solve the murder. (They may also help the murderer cover their trail...)

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Film Review: Anything Else

I went to see "Anything Else" because I heard an intriguing rumor that Woody Allen had cut all of his own scenes out of the movie. It turns out that not only was he in most of it, there were two of him.

"Anything Else" stars Woody Allen as schoolteacher and part time comedy writer "David Dobel" who, despite participating in two of the lowest paying jobs in the U.S., can afford a vintage Jaguar. He befriends Jason Biggs as "Jerry Falk", a full-time comedy writer who would really rather be writing depressing novels about the pointlessness of existence.

Let's just take a second to look at this "Jerry Falk" character. Somehow by his early twenties he's already divorced, in therapy, and has become a whiny babbling intellectual with a well-paying writing career. Basically, he's Woody Allen, just younger. Oh good, another Woody Allen! Sarcasm!

We're clubbed over the head with how "urban" and "contemporary" this "comedy" is. They walk the streets of New York or eat in fancy restaurants for most of the film. They name-drop as many writers as possible. (Oh yeah, I've read that!) They over-use their thesauruses. They mock the idea of owning a survival kit. They hunt down hard to find records and memorabilia. They're all either actors or writers or singers. They listen to jazz. They're all fake.

The "comedy" part comes in a few clever lines that I couldn't remember if my life depended on it. That speaks to the quality of the jokes folks, not my encroaching senility.

You might be noticing by now that all I've really said about the plot is that Allen befriends Biggs. That's because, frankly, that's all there is. Sure, there's the awkward romance between Biggs and Christina Ricci (the only person in the movie who puts some effort into the performance). Still, it doesn't really go anywhere. He's nuts, she's more nuts, they torture themselves and each other alternately, and nobody's really happy. It would be funny, but there's no hook or plot twist keeping them together, so instead it's just sad and tedious. That's the plot.

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The Paradox of Sarah Kane

There are some who believe that the world lost one of its finest late 20th century dramatists when Sarah Kane committed suicide in 1999. Her work produced extreme reactions in critics and audiences alike but many failed to appreciate the pure poetry of her writing until it was too late.

She was born in Essex, England, on 3rd February 1971. Her parents were both journalists and devout evangelists - religion played an important part in their everyday lives. Her father became the area manager of the Daily Mirror for East Anglia, while her mother gave up work to care for Sarah and her brother. By all accounts, Kane was an intelligent child who enjoyed learning, supported Manchester United F.C. and openly discussed God. However, in later years, when she had lost her faith, she described her juvenile beliefs as 'the full spirit-filled, born-again lunacy'.

As a teenager, she became involved with local drama groups and directed Chekhov and Shakespeare while still in school - playing truant at one point to be an assistant director in a production at Soho Polytechnic. After taking her A-levels, she went on to Bristol University to take a degree in drama, with all intentions of becoming an actress. She seemed at home in the theatre and was immensely popular with fellow students, enjoying their company to the full and indulging in a typically wild social life. She went clubbing, enjoyed affairs with women and became a great admirer of Howard Barker's Jacobean dramas (once acting in his play, "Victory") - empathising with his dark views on life and love.

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Realism

In William Dean Howells' words, Realism is ' the truthful treatment of material'. But to the question 'what is truth', philosophy gives not only different answers, but also different kinds of answers, representing different approaches to the same question. That's why 'Realism' is also a term which can't be defined with merely few words. In fact 'Realism' is a notoriously treacherous concept. Vladimir Nobokov, comments on this in his post script to Lolita, as it is 'one of the few words which can mean nothing without quotes'. Many critics agree that when asking about the definition of 'Realism', it is reality itself which they bring into question. Reality is seen as something which has to be attained and this attainment is a continuous process that never allows the concept to stabilize or the word to offer a convenient mould of meaning.

In 18th century the words were considered to be 'the images of things'. For example, Melville in his Moby Dick gathers together every possible definitions and descriptions of a whale and what he shows is that you can never catch a live whale ----- 'You can only have a dead whale' ----- from the images of whale, as Tony Tanner comments in his book Realism, Reality and the Novel, published in 1969. Later this concept was modified in present language as the image of reality. But it should be remembered that this concept also makes it clear that language is the instrument to achieve reality, not just to create images, carrying with in its own material of truth.

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The Ironies Of MASH

The TV show MASH ran for 11 years taking nearly every opportunity to bash the US involvement with the Korean War, which was actually an allegory for Vietnam. Many episodes showed a moral relativism between the US side and the communists, the doctors(with the exception of Frank Burns) made no distinction between the wounded and often talked about declaring the war a tie so they could go home.

The MASH set sometimes was a tense place to work, especially in the early years. One episode featured a sniper who was eventually shot by an army helicopter. Alan Alda objected to the use of gunfire to settle the issue, some on the writing staff pointed out that he had recently played an armed sheriff who had drawn his gun in a TV movie which angered the star who retreated to his dressing room.

Some who worked on the show speculated that the pro-feminist Alda had problems reconciling playing the skirt chasing Hawkeye. Although, he was always professional he stayed aloof in the early years of the show, going to his dressing room whenever there was tension on the set. Part of the job of being the star is setting standards of behavior for the cast, but Alda just wanted to deliver his lines, contribute his creative ideas, and fly home to New Jersey on Friday. One time he was asked to record a video greeting to Navy stations, he refused claiming it would encourage the troops to prolong the Vietnam war. Even at Christmas he remained withdrawn refusing to buy any presents for the cast and crew, going against traditional television star rituals.

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